IT'S
ALL ABOUT THE LASAGNE
What
is the Flying Rainbow Lasagne?
The
Flying Rainbow Lasagne is a seemingly-impossible shape which I
invented during my visionary journey coming into this world in 2001.
It
is the solution to a puzzle posed in the language of shape,
proportion, color, and movement.
It
is "seemingly" impossible because, much like a Mobius
strip, it is a shape which only has one side.
This
language is based on rules and describes the movements of energy in
the universe which are allowed. These movements and the basic shapes
of energy created by the patterns of movement can fit together to
create a Flying Rainbow Lasagne, which is allowed to exist because it
does not contradict any of the pre-existing rules. The Flying
Rainbow Lasagne writes a new rule, and in doing so creates a new
dimension, thereby adding an additional degree of freedom.
How
is it formed?
The
colors and color proportions of The Flying Rainbow Lasagne are
directly related to the spectrum of sunlight.
Red
is the longest wavelength, and could be assigned the value of 1.
Orange is the next longest wavelenth, and it is half the size of red,
so it would then be ½. Yellow is 1/3 the size of the red wavelenth,
green is ¼, blue is 1/5, indigo is 1/6, and violet is 1/7. This
means that seven violet circles can fit inside of one red circle.
Violet
is the highest vibration color and it sits at the pinnacle of the
vortex shape. Violet corresponds to the crown chakra, located on the
top of the skull, which is the connection to higher intelligence or
the divine force of organizaiton in the universe. It is much like
the plug which plugs into an electrical outlet, connecting to the
source of energy. This represents a singular point, the connection
to infinity.
Part
of the definition of violet is that it is a singular point, and if
there were more than one, it would no longer be violet.
The
Flying Rainbow Lasagne seems to violate this rule but it does not.
When viewing the Lasagne shape, it is possible to see two ends, each
of which has a violet point. These are not two different violets,
they are actually the same piece of violet which is jumping between
two places so quickly as to be in the two places at the same time.
The direction in which energy is traveling relative to hyperspace is
constantly shifting between two opposite points. It is much like an
ant walking up the side a person's thumb. The ant is walking towards
the thumbnail, and when the person's thumb points towards the ceiling
the ant is walking “up”. When the person's thumb points to the
floor, the ant is walking “down”, even though to the ant's
perspective it is still traveling in the same direction, which is
toward the thumbnail.
The
energy as it flows in the universe is always flowing towards “violet”
and the connection to infinity/oneness/God, even though it may seem
that energy is flowing towards two different points. This graphic
representation of non-duality can help to illustrate that although
good and evil may exist as polar opposites, they are in truth both
directions traveling towards God/oneness.
Flying Rainbow Lasagne sculpture 18 x 18 " steel wire
How to Make The Flying Rainbow Lasagne
Begin
with a sphere.
Put
pressure on six points around the sphere, creating a dimpled cube.
This shape is also the four-vortex shape (where two vortexes are
implied.) In this shape, the point where the dimples meet in the
middle would be “violet”.
Next,
bisect the four vortexes horizontally, creating two groupings of four
half-cones.
The
top half is rotated a half-turn, then the edges of the half-cones
are joined.
At
this point, there is still only one “violet”, or central point.
It
is when the “violet” point begins to move between two opposite
points that this added dimension allows the shape to pop open.
The
negative space within the shape could be described as another
dimension.
This
dimension is created by the motion of “violet” between two points
so fast as to be in two different places at the same time. It is
also like saying that there is no distance between those two points.
What
is the significance?
Ordinarily,
the outside surface of a shape and the inside surface cannot
interact, so a little ant walking on one surface could never get
across to the other surface.
By
stretching a surface into a Flying Rainbow Lasagne shape, it becomes
possible for the little ant to go from the inside surface to the
outside and back again.
This
blending of the inside and outside also represents the concept of
combining the inner world of spirit (the nonphysical) with the outer
world of matter (the physical) to produce a new world composed of
more substantial spirit and more flexible and changeable matter.
In
terms of first-person experience, the new interaction between the
inner world of pure abstract energy and the physical body creates a
new type of body which has more light (literally, pure energy.) This
“light body” is more mutable and can be immediately affected by
shifts in the world of pure energy from which the physical world
emanates. (This is an acceleration and intensification of the
relationship between the mind/body/and spirit which has already been
recognized as a phenomenon of the biological body.)
This
is also about the partnership between inorganic beings, or beings
made of conscious light, and organic beings composed of physical
matter. These two forms of being are actually two parts of the same
consciousness but have been artificially separated, causing organic
beings to identify with a temporary construct of 'self' (ego) and to
initially perceive the inorganic self as alien.
Consciously
and intentionally forming a partnership between the organic and the
inorganic is beneficial to both aspects. The inorganic realm is very
similar to the world of Newtonian physics: stately, rule-oriented,
and predictable. If it were music, the inorganic realm would be
classical music played note for note by musicians who never deviate
from the score. The organic realm is similar to the world at the
quantum level: unpredictable, chaotic, frantically energetic, all
over the place. If it were music, it would be improvisational jazz.
The
inorganic realm has as its weak point the fact that it is so
predictable and there is no room for innovation. Although it may
seem like a “perfect” system that never breaks the rules, that is
the very reason why it falls into entropy: it cannot break the rules.
The
organic realm's weak point is that, although highly energetic and
creative, it is not directed or structured and so patterns tend to
devolve.
Combining
the inorganic and organic realms is like giving a trellis to a
climbing rose vine: the vines thrive because the structure of the
trellis helps to guide their growth and maximize their vitality.
In
much the same way, an organic being with ego who consciously chooses
to open themselves to the structure of the inorganic beings (who are
actually their long-lost other half) can be guided in growth (both
physical and mental/emotional) and maximize their vitality.
It
is like saying that opening onesself to the guidance of higher
dimensions can help one to live longer and better. It could even be
described as a pro-survival trait.
Inorganic
beings also benefit from this relationship. One thing that inorganic
beings do not possess is the capacity to create. Although extremely
long-lived, inorganic beings (beings of pure thought, pure light)
cannot create new life (reproduce) and cannot create new ideas
(innovate.) Inorganic beings, who exist in a perspective of knowing
time “all at once”, and who do not choose which “notes” to
play but merely follow the score (a description much like that of
biblical “angels” who must “follow God's command”) are not
able to learn and grow and change. The benefit to inorganics from
interacting with organics is to gain some of the “juice” or
passion or emotional energy which organic beings have in abundance.
Inorganic interaction with organics can take many forms, from merely
observing to interacting or even inhabiting. Inorganic beings learn
and grow from experiencing something of organic life experience, even
vicariously.
Just
like any relationship, a partnership between inorganic and organic
beings should be based on mutual love, trust, and respect. One
barrier to meaningful contact with inorganic beings is the fear that
organic beings often feel when confronted with what seems to be
“other.” There is the fear reaction of having some external
source telling one what to do, taking control of one's life or even
of one's body. It is only when the “other” is correctly
interpreted through the filter of perception as “self” travelling
at a different speed, a higher vibration, or more fully evolved
version of their present form, that it becomes possible to move past
the fear and connect from a stance of unconditional love.
Unconditional
love is literally a vibration, in much the same way that a musical
note is a vibration. It is at this level of vibration that the higher
and lower vibrations meet as equals. The heart chakra is the energy
center which emanates unconditional love, and it is situated in the
middle of the body and in the middle of the ROYGBIV spectrum, as a
pivot point between the lower vibration chakras of red (physical
body) orange (emotional body) and yellow (verbalized intellect) and
the higher vibration chakras of blue (communication) indigo (pure,
nonverbal understanding) and violet (the connection to the higher
source.)
The
Flying Rainbow Lasagne is a visual representation of the combination
of spirit and matter, or the inner and outer worlds.
The
Flying Rainbow Lasagne is the "key" to combining the
nonphysical and physical aspects of our bodies, thereby
unlocking our potential ability to transform outer reality
Basic
Shapes Language of the Universe
circle
sphere
vortex
four
vortexes
lasagne
The Flying
Rainbow Lasagne and The Mysteries of the Universe
Astute
observers of The Flying Rainbow Lasagne sculpture have noticed that
it actually has two surfaces, and that is correct. However, the
sculpture is a static representation of a moving energetic form, and
the viewer must use their system of perception to interpret it
correctly in much the same way that one must learn to interpret a
flat drawing as a 3-D space.
If
we define the “outside” of the sculptural form as any surface
which faces towards the room in which The Lasagne is flying, and the
“inside” as any surface of the sculpture which faces away from
the room, then one can see how the “inside” of one half-cone
becomes the “outside” of the next half-cone.
This
combination of spirit and matter corresponds to a change in the shape
of our strands of DNA, from linear to circular.
What
supports this change of shape is the influence of another dimension,
one which can be visualized as the negative space within the Lasagne
sculpture and which may be called "spirit".
By
dancing in partnership with Spirit, a person in the physical world
can transform not only their physical body but also their perception
and experience of physical reality.
Just
as our understanding of the existence of the 3rd dimension informs
our visual perception to interpret a 2-dimensional square as a
3-dimensional cube,
so
too does our expanded understanding of a new dimension in the
universe cause us to interpret physical existence in a new light.
The
Flying Rainbow Lasagne is an answer to the question of how to die
without dying and achieve mastery over the physical realm by
instantly
manifesting
thoughts, thereby unlocking the potential within Human Beings to be
Full Spectrum Beings.
"Children of True Humanity" acrylic on wood 48x48 (detail)
